I am usually drawn to good quality English antiques, particularly simple country furniture. I love antiques that are tactile and made from beautiful wood. I’d say that usually my taste is quite understated but I have to admit that I have somewhat broken the mould recently and absolutely fallen in love with this opulent Murano glass chandelier. It is big, bold, glitzy and very pink! I wish the low ceilings in my cottage would allow for such extravagance but alas they will not! It was made by Murano Glass and dates from the mid 20th Century. The island of Murano is near Venice in Italy and is world famous for its glassmaking. With a history dating back to the 8th century it still makes glass to this day. Murano became a hub for glassmaking in 1291 when Venice, fearing fires in its wooden buildings, ordered glass furnaces to be moved to the island and the industry really took off. Every piece is individually hand blown and the craftsmanship is renowned for its vibrant colours and innovative techniques. This chandelier comprises over 20 individually made parts that come together to make this one spectacular chandelier.

After more than 10 years of buying and selling antiques it fascinates me that I can still come across things that I’ve never seen before and this happened recently when I bought a small silver brush. It measures just over 3 inches long and is hallmarked sterling silver. From the hallmark I can tell that it was made in Birmingham in 1904 by the makers Adie & Lovekin. On first inspection I thought it was a dolls house accessory. Dolls Houses were big business in the Victorian era and early 20th century and I see lots of miniature items from that period that are in fact Dolls House replicas. They came in various scales from the very small to really quite large and no expense was spared in furnishing them. However, whilst the age of my miniature brush was correct, the size was slightly too big and the shape resembled more that of a toothbrush than a miniature hair brush so further research was needed. A little bit of exploration and digging into miniature brushes led me to discover that it is in fact a moustache and eyebrow grooming brush! A distinguished Edwardian gentleman would have used this brush every morning to ensure his moustache and eyebrows were in tip-top condition - who’d have thought it?

Those of you who have popped in to the shop might have met Ginny my cocker spaniel. She is not often in the shop because, as all spaniel owners will know, she’d rather be out running around than sat quietly in the shop! She is a working dog and during the shoot season I enjoy taking her beating and picking up. As we enter October, that signals the start of the Pheasant season and shoots will begin taking place up and down the country so it was quite exciting to be able to buy two very fitting shooting related antiques recently. The first is a leather cartridge case with its original fitted interior and a retailer’s label for “Ebrall Bros Gun Manufacturers Shrewsbury”. The second item is a ‘Leg O Mutton’ leather gun case - so called because of its distinctive shape. Both of these items date from around the late 1800s to early 1900s but are still perfectly functional and usable items as well as being very decorative. The leather has worn beautifully and has that perfect patina that we look for on antiques with a depth of colour that just can’t be reproduced!

On a visit to a property in the South Hams to appraise a collection of antique furniture I admired a Morris Minor Traveller parked on the driveway, only to be informed that it too had to be sold. I couldn’t resist it so I made an offer and it was accepted! Just like anything else I buy it had to spend some time in the workshop. It needed some repairs to the iconic wooden frame, a new exhaust and a good clean and now it’s looking great and driving great! However this particular purchase won’t be sold just yet. I’m really enjoying using it and it’s a nice change from driving those narrow Dartmoor lanes in our van! I plan to use it for some of the smaller local deliveries so if you see us out and about do say hello! The car was made in 1971, so it is not quite an antique by definition, but one thing the Morris does have in spades is character and personality! It always draws a crowd when it's parked up and I’ve heard stories of people growing up with one or even learning to drive in one! It’s reminded me that ‘antiques’ don’t have to be over 100 years old to be special, it’s this connection they give us with the past that we all love Automobilia in itself is a popular area of collecting and refers to anything relating to motor vehicles or the car industry and can date from the early 20th century right up to the 1970s. Automobilia can include a wide range of items, such as classic hood ornaments, vintage advertisements, enamel signs, car parts, badges, promotional materials, gas pumps, old petrol cans and ephemera. It’s an area of antiques that is growing in popularity and can appeal to a wide range of collectors of all ages from those restoring priceless classic cars searching for that perfect part to complete their restoration down to enthusiasts just decorating their garage. Automobilia is quite easy to find and doesn’t have to be expensive. I’ve bought lots of examples over the years but one of my favourite pieces was this brass car lamp dating from the early 1900s. It was so well made with a copper name plate for “Howes & Burley” and a hinged front lens to give access to the paraffin burner inside. Cars in the early 20th Century and, prior to this, carriages would have had paraffin lamps just like this one mounted to the front to light the way. I often think some of the technology on the Morris is old fashioned but at least I can be thankful that it has electric headlights! .

There’s a phrase that we use in the antiques trade “new old stock” to refer to something that is old but has never been used. We don’t just mean something that has been looked after, this is used when an item is completely original and untouched in its original packaging, hence the term “new old stock”. It could be something that was bought and never used or often stock that has been discontinued and left in the store room of a shop, warehouse or even shed. Whatever it is, we don’t come across it very often, so I was thrilled to pick up this remarkable old lock in its original box, complete with fitting instructions, templates and its original screws - having never been out of the box. The instructions are dated 1939 so presumably it was issued just as WW2 began and the door it was to be fitted to no longer needed a lock or perhaps the man who was to fit it went off to war and maybe never returned. Whatever happened to change its course, it has sat in its box for 85 years until the day that I took it out - quite amazing when you think about it. It’s not just any lock either, it’s a toilet door lock and comes with its handle, bolt and original signs which read ‘Please bolt the door’ and ‘Pennies only. To gain admission drop a penny in the lock and slide the knob’. This is of course where the phrase ‘to spend a penny’ comes from. This lock and ones just like it would have been fitted to a public toilet and those wanting to use it would have had to pay a penny to enter. Even after 85 years it could still be fitted to a door and only needs an old penny to be fully functioning - what an amazing time capsule after all these years. I’d love to have it fitted to my toilet door at home!

Antiques can have a special way of taking us back in time and reminding us of a bygone era and that is particularly true of this fabulous Georgian Cellarette. It dates from around 1780 and the simplest way of describing it is as a Georgian refrigerator! When we fancy a nice chilled bottle of wine we can simply get one from the fridge but in 1780 no electricity meant no fridges. This Cellarette is beautifully made from mahogany and has a lead lining with sections for each bottle. The Georgians would have filled it with ice and this lead lining would have kept the contents insulated and chilled as well as protecting the mahogany outer. The wheels on the base allowed it to be easily moved from one room to another making it convenient to serve drinks to guests - the Georgians really did think of everything! Of course not only were there no refrigerators but of course no freezers either so where did the ice come from in the first place? Ice itself was an important commodity in those days and reserved only for the upper classes because it was difficult to keep it frozen. First they had to harvest the ice which was typically taken from lakes, rivers and ponds during the winter when natural bodies of water froze over. Workers would cut large blocks of ice, sometimes several feet thick and transport them to ice houses. Ice Houses can be found in the grounds of large estates and were usually constructed underground or partially underground to take advantage of the cooler temperatures. They were heavily insulated with materials like straw, sawdust or wood shavings to prevent the ice from melting. The walls were thick and the doors were tightly sealed to limit any heat from entering. The insulation and cool air inside these structures helped keep ice frozen for several months, sometimes lasting well into the summer!

If I were to tell you that this little tea bowl and saucer was recovered from the bottom of the ocean, completely undamaged, after lying on a sunken wreck for over 200 years you’d probably say it was impossible or I’d made it up but in fact it is completely true. This bowl and saucer is part of the famous Nanking Cargo which refers to a valuable shipment of Chinese porcelain, tea, gold and other goods from the 18th century that was discovered on the wreck of the Dutch East India Company ship Geldermalsen. The ship, which was en route from China to the Netherlands, sank in the South China Sea in 1752 after striking a reef. The Nanking Cargo remained underwater for over two centuries until it was salvaged in 1985 by Captain Michael Hatcher, a professional treasure hunter. The porcelain that the ship was carrying had been made in Jingdezhen in China but was destined for export to the European market. What made the discovery of the Nanking Cargo so special was just how well preserved it was. Of course, being a cargo ship, the goods would have been well packaged in crates with protective wrapping to survive the journey but certainly not packaged to withstand hitting a reef and sinking to the bottom of the ocean. Remarkably though, nearly all of the porcelain cargo was intact and thousands of pieces were able to be safely salvaged. The collection was sold off by auction over 5 days at Christies in 1986. Each piece was lotted and numbered and the sale drew over 20,000 people with both collectors and museums keen to acquire a piece of this precious cargo. To this day, many of the pieces retain their original Christies auction sticker and this helps to certify their provenance from other similar Chinese porcelain of the period.

Chinoiserie comes from the French word "chinois," meaning “Chinese.” A chinoiserie design often includes depictions of Chinese landscapes, pagodas, dragons, birds, flowers and figures dressed in traditional Chinese clothing. It is typically produced in lacquer ware, usually on a black background but red, green and blue are also sometimes seen. The designs are all hand painted and usually feature gold or gilded highlights, used to add a sense of opulence. We see Chinoiserie designs on smaller items such as boxes and lamps all the way up to larger items of furniture such as wardrobes and clocks and such was the fashion that even whole room suites could be bought! This sewing cabinet dates from the late 1800s and is black lacquer with a silk fitted interior. As trade with China and other East Asian countries increased in the 18th and 19th centuries, so it became popular to replicate their culture and designs in Europe. In fact this newly discovered fascination influenced European architecture and interior design with many palaces and country estates featuring rooms or entire wings decorated in this Oriental style. Elements like pagoda-style roofs, trelliswork and oriental-themed rooms became popular in the grand homes of the aristocracy. The Royal Pavilion in Brighton, built for King George IV, is an iconic example of chinoiserie in architecture and features extensive chinoiserie decoration inside and out.

I love to mix and match different styles and antiques needn’t be boring or constrain you to one particular design. Antiques provide an opportunity to imagine your home in a completely unique way using one off items and they don't come much more striking than a Zanzibar chest, so called because they originated from the island of Zanzibar, off the coast of Tanzania in East Africa. Zanzibar chests are typically made from hardwoods like teak, mahogany or camphor but the most distinctive feature is the elaborate decoration. They are embellished with brass or copper fittings such as corner brackets, straps, pierced sheets and studs which not only enhance the aesthetic appeal but also reinforce the structure of the chest. Some are also ornately carved with these geometric patterns and designs covering every side of the chest. Zanzibar was a key trading hub in the Indian Ocean for centuries, linking Africa, the Middle East, India and beyond. The designs on these chests reflect this cultural melting pot with influences from Arab, Indian and African cultures. Historically they were used by wealthy traders and families to store valuables, clothing and important documents and they come in all shapes and sizes. The chests were both functional items and symbols of status, often passed down through generations and some would have even been used as dowry chests for weddings. Nowadays they really pack a punch when it comes to adding some character to a space. Every one is unique and their size means they make excellent coffee tables, end of bed storage or even toy trunks.